the rhythms of occupy: broadcasting and listening practices on #ows
1. THE RHYTHMS OF OCCUPY:
BROADCASTING AND LISTENING PRACTICES ON #OWS
Sharon Meraz, PhD Zizi Papacharissi @zizip
Assistant Professor, Communication Professor and Head, Communication
University of Illinois at Chicago University of Illinois at Chicago
2. premise and previous research
• Twi$er
as
news
repor-ng
mechanism
• Established
news
values
guide
use
of
Twi$er
• News
breaking/premedia-on/instantaneity
• Homophily,
peripheral
awareness
and
ambient
news
environments,
hybridity
• Twi$er
as
news
sharing
mechanism
during
uprisings
• Electronic
word
of
mouth
• Broadcas-ng
and
‘listening
in’
on
uprisings
• Homophily
and
group
iden-ty
3. theoretical framework
Who says what to whom [w/what effect]
Framing/Gatekeeping
Networked Gatekeeping
Process through which actors crowdsourced to prominence through the use
of addressivity markers and conversational practices
Networked Framing
Process through which a particular problem definition, causal interpretation,
moral evaluation, and/or treatment recommendation attain prominence
through crowdsourcing practices
4. research design
RQ 1: How do tweets containing conversational markers describe the
networked rhythms of content produced via #ows?
RQ2: Who are the elite users across addressivity markers?
RQ3: To what extent do hashtags provide organic level framing?
Computerized content analysis, 10% stratified random sample,
Oct 2011- July 2012
Frequency analysis (SQL scripts), addressivity markers and hashtag
frequency
Discourse analysis
isolated episodes of high addressivity/peaks, examine content,
addressity patterns, focus of conversation, conversational tendencies
5. RQ1: Networked rhythms of content produced via #ows
6000
5000
4000
3000 count
Mention
RT
2000
Via
1000
0
8. Conversational practices and affordances
(discourse analysis findings)
• Affect
• Performativity
• Openness and disorder
• ideological trolling, contention
9. conclusions and next steps
• Networked framing and gatekeeping over time
• [semantic analysis, discourse analysis]
• Digital textures, affective structures, and online footprints of
movements
• Affective publics
Thank you! @zizip uic.edu/~zizi